Augusta McKay Lodge is a historically informed violinist, globally established at a young age as leader, chamber musician, and soloist. McKay Lodge has appeared as soloist with Voices of Music, Les Musiciens de Saint-Julien, The American Classical Orchestra, Juilliard415, Jupiter Ensemble, Les Arts Florissants, and more. McKay Lodge regularly performs as concertmaster with Les Arts Florissants, Les Musiciens de Saint-Julien, La Chapelle Harmonique, and others. She has appeared as guest concertmaster for Opera Fuoco, The American Classical Orchestra and the Irish Baroque Orchestra, and has guest directed the Philharmonia Baroque Orchestra Chamber Players as a substitute for Richard Egarr. McKay Lodge’s solo discography includes Beyond Bach and Vivaldi (Naxos), Corelli’s Band (Naxos), and a disc with her sister (violist) Georgina McKay Lodge, J.G. Graun: Chamber Music from the Court of Frederick the Great (Brilliant Classics). McKay Lodge performs on a Jean-Baptiste Vuillaume (1867) and a baroque-copy Jason Viseltear (2014).
“[With a] wide-ranging emotional expression… she offers some imaginative accounts, demonstrating much technical assurance, a varied expressive palette and due appreciation of national idioms…All played with substantial accuracy and musical perception, and commendable style.”
- The Strad Magazine
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Performing as Concertmaster and Soloist in venues such as Royal Albert Hall BBC Proms, Tanglewood Music Festival, Caramoor Center for Music and the Arts, Festival Dans Les Jardins de William Christie, Opera de Massy, and Festival de Torroella.
Photo credit: Roger LLeixa
"Augusta McKay Lodge, stands out as the real thing, a true virtuoso"
- Seen & Heard International
Upcoming Performances
Solomon, William Boyce
Opera Fuoco
David Stern, direction
Augusta McKay Lodge, concertmaster
Les Fêtes d'Hébé, Rameau
Les Arts Florissants
William Christie, direction
December 13, 15, 17, 19, 21
Paris Theatre de l’Opera Comique
"Augusta McKay Lodge...not only shreds but has a titanic sound. McKay Lodge plays with a rounded and beautiful tone, certainly, but she can also overwhelm with volume and raw power...she's worth a special trip to hear."
- San Francisco Classical Voice
“Lodge’s special skill, in addition to her intonational and tonal felicities, is ... an inexpressible sense of pace and pause that focuses the listener’s attention on each piece’s most poignant moments.”
- Early Music America